daniela, argentina 
thm.
365filmsbyauroranocte:
“ Visages villages (Agnès Varda & JR, 2017)
”
365filmsbyauroranocte:
“ Visages villages (Agnès Varda & JR, 2017)
”
365filmsbyauroranocte:
“ Visages villages (Agnès Varda & JR, 2017)
”
365filmsbyauroranocte:
“ Visages villages (Agnès Varda & JR, 2017)
”
365filmsbyauroranocte:
“ Visages villages (Agnès Varda & JR, 2017)
”
365filmsbyauroranocte:
“ Visages villages (Agnès Varda & JR, 2017)
”
365filmsbyauroranocte:
“ Visages villages (Agnès Varda & JR, 2017)
”
365filmsbyauroranocte:
“ Visages villages (Agnès Varda & JR, 2017)
”
365filmsbyauroranocte:
“ Visages villages (Agnès Varda & JR, 2017)
”
365filmsbyauroranocte:
“ Visages villages (Agnès Varda & JR, 2017)
”

365filmsbyauroranocte:

Visages villages (Agnès Varda & JR, 2017)

liinza:
“Frantz, François Ozon, 2016
”
liinza:
“Frantz, François Ozon, 2016
”
liinza:
“Frantz, François Ozon, 2016
”
liinza:
“Frantz, François Ozon, 2016
”

liinza:

Frantz, François Ozon, 2016

ishakemyfingeratyou:
“ Veronica Lake in I Married a Witch (1942)
”

ishakemyfingeratyou:

Veronica Lake in I Married a Witch (1942)

alanachambers:
“Here are photos by Eggleston, these photos are a further inspiration to my project, and how I intended to present ‘absence and presence’. This was to create similarities such as use of textures and materials, lack of people and also...
alanachambers:
“Here are photos by Eggleston, these photos are a further inspiration to my project, and how I intended to present ‘absence and presence’. This was to create similarities such as use of textures and materials, lack of people and also...
alanachambers:
“Here are photos by Eggleston, these photos are a further inspiration to my project, and how I intended to present ‘absence and presence’. This was to create similarities such as use of textures and materials, lack of people and also...
alanachambers:
“Here are photos by Eggleston, these photos are a further inspiration to my project, and how I intended to present ‘absence and presence’. This was to create similarities such as use of textures and materials, lack of people and also...
alanachambers:
“Here are photos by Eggleston, these photos are a further inspiration to my project, and how I intended to present ‘absence and presence’. This was to create similarities such as use of textures and materials, lack of people and also...
alanachambers:
“Here are photos by Eggleston, these photos are a further inspiration to my project, and how I intended to present ‘absence and presence’. This was to create similarities such as use of textures and materials, lack of people and also...

alanachambers:

Here are photos by Eggleston, these photos are a further inspiration to my project, and how I intended to present ‘absence and presence’. This was to create similarities such as use of textures and materials, lack of people and also use of cars.

meshesoffilm:
“blue in ‘an american friend’
”
meshesoffilm:
“blue in ‘an american friend’
”
meshesoffilm:
“blue in ‘an american friend’
”

meshesoffilm:

blue in ‘an american friend’

meshesoffilm:
“days of heaven
”
meshesoffilm:
“days of heaven
”
meshesoffilm:
“days of heaven
”
meshesoffilm:
“days of heaven
”
meshesoffilm:
“days of heaven
”
meshesoffilm:
“days of heaven
”
meshesoffilm:
“days of heaven
”
meshesoffilm:
“days of heaven
”

meshesoffilm:

days of heaven

hirxeth:
“Wings of Desire (1987) dir. Wim Wenders
”
hirxeth:
“Wings of Desire (1987) dir. Wim Wenders
”
hirxeth:
“Wings of Desire (1987) dir. Wim Wenders
”

hirxeth:

Wings of Desire (1987) dir. Wim Wenders

those-eyes-that-mouth:
“Béatrice Dalle in ‘37° 2 le matin’ (released as ‘Betty Blue’ in the U.K. and U.S.), 1986.
”

those-eyes-that-mouth:

Béatrice Dalle in ‘37° 2 le matin’ (released as ‘Betty Blue’ in the U.K. and U.S.), 1986.

frenchvintagegallery:
“Actress Isabelle Adjani, in “The Driver” directed by Walter Hill, 1978
by Nancy Ellison
”

frenchvintagegallery:

Actress Isabelle Adjani,  in “The Driver” directed by Walter Hill, 1978

by Nancy Ellison